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It is, in all probability, a fundamental question of vocation: characters such as Baron Frankenstein and Professor Griffin dedicate their lives to their scientific projects (the creation of life and invisibility), and rarely is venture outside of their laboratory. Figures like Frankenstein's creature, Creature from the Black Lagoon wolf or man (and, for that matter, even Mr. Hyde, the result of experiments of another eminent scholar like Dr. Jekyll) are in fact victims of their own feral nature or extent of their intellectual . Not to mention the zombie, the proletariat of the world horror, that only in the strength of their numbers are actually a desperate power. Instead, Dracula and his successors are the result of an environment, the feud between management and challenging campaigns, has always preferred the role of the strategy: they are, by nature, planners, instructors in the seduction and manipulation of weak minds . And when you link, without hesitation, often for no less than food than those of other monstrous creatures perhaps equally famous, but behave with the coolness of the consumed elegant chess player, typically using force only when things start to go wrong. 
Before a murderess, and an almost irresistible seducer, Dracula is basically a political element and this is explained, since the title of a film on the whole misunderstood as They changed the face of Corrado Farina in this film, as well as in the following Innocent Blood, American John Landis (published more than twenty years later) it is evident that the progeny of Dracula has learned to wear double-breasted of economic and political power or the cast of the mafia bosses - a category, the latter, which, as we know, was able in turn to change the face and uniform, mixing irreversibly to the first - and has been able to carve out new space, consolidating his power and actually increases the flow dramatically. 
Farina's film ends with the final triumph of John supervampiro Nosferatu, sealed by a quote Marcusian, while the vampire mafia Innocent Blood John Landis seem to end up defeated by the alliance between a vampira dotata di un’etica rigirosa e un poliziotto infiltrato nel clan: nel finale pirotecnico, dopo che tutta la sua banda è stata sterminata, anche il boss Sal Macelli viene fermato da una pallottola ben piazzata. Eppure il lunghissimo discorso che il capoclan pronuncia nel finale, mentre il suo corpo arde senza consumarsi, non sembra affatto un congedo: “Io sono il Potere, e tu non sei che una cacatina di mosca”, ruggisce verso il poliziotto che lo tiene sotto tiro, e l’impressione che dà non è quella di un essere in preda a un insensato delirio di onnipotenza. Il tono, invece, è quello di qualcuno che sa bene di aver perduto solo una battaglia. E che la guerra proseguirà con un esito scontato, perché the propagation of the vampire race is part of their nature, neither more nor less than their willingness to rise from the ashes each time. 
But notice the ramblings: If the vampire filmography is ocean, teeming with changes sometimes heretical (in the good The darkness approaches using a blood transfusion to restore a victim of the fatal bite his human nature!), approaches that give up the element fantastic (and we quote for all the Wampyr Romero) or on the contrary, taking the path of science fiction (the three films inspired by unfaithfully I Am Legend by Richard Matheson - originally released in Italy under the title The vampires in the same year in which went out the 'self-titled film by Riccardo Freda , and go to know whether it was the publisher of the book to steal the title of the film to distributors or vice versa), is no doubt that, pace of Le Fanu and Polidori and other more or less illustrious predecessors, the central work of the whole vampire mythology is the Dracula of Bram Stoker's novel that most cited actually read (as it happens from time to vast majority of the true classics), but also a reference point for all the mythology, despite the betrayals, both literal and substantial, committed almost all its film versions. Curiously enough, therefore, that no one had yet taken the initiative to start from there to read in an analytical groped everything from Stoker was born in over one hundred and ten years of film history (an age that, look look, overlaps quasi perfettamente a quella del libro, che fu pubblicato la prima volta pochi mesi dopo la prima, storica, manifestazione pubblica dell’invenione dei Lumiére). 
Ci hanno pensato, finalmente, Franco Pezzini, Angelica Tintori e Paolo De Crescenzo con il libro che tenete nelle mani. In questo lavoro davvero monumentale, l’opera di Stoker non è solo la pietra di paragone di tutti i film che ne sono stati tratti: diventa invece il filtro attraverso cui ciascuno di quei titoli può essere analizzato in modo approfondito. Perché è evidente che ogni deviazione o modifica rispetto alla fonte originale ha avuto una sua ragione precisa nel contesto storico in cui è stata decisa - e proprio per this can be, in a careful, extremely significant. Not only that since every new adaptation of Dracula becomes, somehow, part of a single charge, the same variations tend to become a source to turn to a more complex overlay of references, inspiration and plagiarism, influence each other. 
Un certo Ed, bizzarro giovanetto, 
Poi gli anni sono passati, io ho continuato a occuparmi soprattutto di cinema - per il Castoro e per altri editori - fino all'estate scorsa, quando Renata Gorgani mi ha fatto vedere un libro francese che aveva deciso di acquistare. Era una raccolta di bellissimi disegni di animali di vario genere, only that the texts were very modest - written, probably with his left hand by a French writer who, I suspect, thought he had better things to do. The proposal was to just throw down some alternative short story ... a bit 'thicker pair of lines of micragnoso bestowed from the original, but less content in a folder, and dedicated to telling how the animal that had received one of its most typical characteristics. But the times were very close so I was encouraged to draw "inspiration" from folk tales and traditional, classical or even out rights. 
Only after adjusting in the three short stories that I remembered I realized that if I had to start looking, reading, and choose to rewrite dozens of stories of animals I would not have never be able to deliver on time. It was the first to invent from scratch, looking - as it was in my ability - to follow in the footsteps of Kipling. Not knowing if the stories were working, I tried to tell my nephew to six years. I was surprised when, telling him to break the ice history of the elephant (one of those adapted from "Just So Stories , actually) has quickly jumped up, saying," This I know! " It's not that I had boasted that it was my bag of flour, but managed to make me feel caught in the act - so I carefully avoided to tell the other not original and I shot all those who had invented just me. 
Added December 9, 2008: I find that the book Psycho was recently republished with a new cover is a bit 'prettier the previous one. Here it is. In the meantime, I am pleased to be able to bully the fact that most books free, fair Roman small publishers that ended yesterday at the Palazzo dei Congressi, Stories animal is sold out! 
